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The tendency to attribute the essential role to the filmmaker (or director) will culminate in France with the “policy of the authors” promoted by the Cahiers du Cinéma and the “New Wave”: this will be opposed in particular (through in particular a famous article by François Truffaut) in “French quality” cinema, which stood out in particular for close collaboration between directors and scriptwriters (including the famous “couple” by Aurenche and Bost) with a predilection for adaptations of literary works. In free-putlockers.com you can find the best films now.
The Right Policy for You
If the “policy of the authors” quickly triumphed (especially at the critical level), the debate on the relative importance of the scriptwriter and the director is still regularly rekindled today (often in a renewed or diverted form) to the extent where the film is actually the fruit of a collective work, and where it is impossible to decide a priori and necessarily arbitrarily the exact responsibility of each other.
- It will be noted, moreover, that, while in France the director’s work was favored over scriptwriting, in the United States, on the other hand, an essential role was taken and long assumed by producers who have often managed to impose their